Hannah liu

“Unconventional found family featuring parents with shady jobs” is a genre that seems to have taken the anime world by storm in the past couple of years. The most popular example of this is Spy X Family, featuring a spy father, assassin mother, and telepath daughter, who don’t know each other’s secret identities and end up a family out of convenience. But this 2023 spring season has given us another top-notch anime that fits into the genre: Buddy Daddies. The show tells the story of Kazuki Kurusu and Rei Suwa, two hitmen who are partners and best friends, and how they ended up the fathers of a young girl named Miri. Though none of them are related, the three swiftly become a family.

With the SLC Content Committee’s newest zine being themed “Anime,” the Stargazer blog is highlighting a more recent anime you might not have heard of. Though horrifically translated as The Ice Guy and His Cool Female Colleague, this romance anime is charming and worth overlooking some awkward English phrasing. Fuyutsuki and Himuro overcome both magical and workplace problems while trying to control their crushes on one another.

In the age of swiping left and right and awkward first dates, sometimes a need for something new arises. If you are tired of aimlessly swiping, ignoring red flags, or getting caught up in sexually awkward conversations, I invite you on a date: you, me, some other strangers, a screen barrier, and a set of questions. A night of blind dates, try to name a better way to spend your Monday night. Of course, you could stay home and continue swiping on the frat bro who keeps calling your body parts snacks or the girl who, in her bio, labels herself unvaccinated. Or, in a desperate attempt to escape the online dating world, you could come out and meet some really cool people at the ASLC.

I still remember the night of May 19, 2019. Sitting in my living room, as I awaited the grand finale of what had been the greatest show I had ever seen, Game of Thrones. A show with so much complexity, grandeur, and heart that had amassed millions of fans in its 8 season run. I still remember the feeling I had once the credits began to roll. I wouldn't wish it upon my worst enemy. I wasn't alone in my disappointment as millions of other GOT fans took to the internet to vent. The series finale left such a sour taste in many fans' mouths that just 2 years after that, it held such a little grip on pop culture discourse. A show that brought in 18.4 million live viewers for its finale had seemingly disappeared from people's minds

As a giant entertainment company that prides itself on creating “safe” and “family-friendly” content that can suit everyone, Disney the company and Disney as a conglomerate of artists are as different as night and day.  When the news arose that the Disney executives gave money in support of the “Don’t Say Gay” bill, I thought, “well, that’s not surprising” since Disney as a company has never been in support of explicit LGBTQ+ representation (and the irrelevant side character’s in the articles titled “X Disney character is gay” do not count), yet so much of Disney's recent media is shrouded in queer allegory and have fostered so much talent from members of the LGBT community. So, how could Disney betray the community whose members contributed to the company’s success?

Remakes, live actions, and book adaptations seem to be the only current renditions of originality circulating within the film industry. Arguably, book adaptations are the most regurgitated platform of resources, making it less respectable to book lovers like I. Whether the film should adhere to the needs of book fanatics seeking verbatims or enter a new realm of novel-based ideas seems to be the question at hand. Childhood films like the Harry Potter series and The Chronicles of Narnia franchise hold influential stances on bibliophiles and the alike, which tend to cloud the current perception of book adaptations. Mind my saying, but they merely prance around the denotation without much-needed refinement. Some films that attempt both ends of audience demands but miss the mark by a single hair are American Psycho, Pride and Prejudice (the Keira Knightly version, obviously), and The Shining.

David Kessler rampages down the streets in Piccadilly Circus, London, as a frightening werewolf. What if it was Paris, France, instead? Great Britain was very desperate to take credit for successful movies, but it started to cause implications with filming.